Tuesday, April 3, 2012

[Y532.Ebook] Fee Download Grasping the Wind: An Exploration Into the Meaning of Chinese Acupuncture Point Names, by Andrew W. Ellis, Nigel Wiseman

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Grasping the Wind: An Exploration Into the Meaning of Chinese Acupuncture Point Names, by Andrew W. Ellis, Nigel Wiseman

Grasping the Wind: An Exploration Into the Meaning of Chinese Acupuncture Point Names, by Andrew W. Ellis, Nigel Wiseman



Grasping the Wind: An Exploration Into the Meaning of Chinese Acupuncture Point Names, by Andrew W. Ellis, Nigel Wiseman

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Grasping the Wind: An Exploration Into the Meaning of Chinese Acupuncture Point Names, by Andrew W. Ellis, Nigel Wiseman

This text shows that point names, the traditional means of identifying acupoints, have meanings that are hard to grasp. It promotes understanding of each point's use in acupuncture practice by considering the meaning, context and significance of each. The 363 points covered are listed according to the system currently in use in China.

  • Sales Rank: #443340 in Books
  • Published on: 1989
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.25" h x 6.06" w x 9.01" l, 2.00 pounds
  • Binding: Paperback
  • 462 pages
Features
  • 1st Western text to present information about acupuncture points as it has been most often presented in China throughout history
  • Provides students a unique opportunity to study an application of Chinese medical language in a clear, appropriately documented, and culturally valid context
  • Explains location, use, and effects of more than 360 channel points through modern standard names and alternate names that were used in earlier eras

Review
Grasping the Wind provides students a unique opportunity to study an application of Chinese medical language in a clear, appropriately documented and culturally valid context. -- American Journal of Acupuncture

Here is a foundation on which it is safe to build. -- Sara Hicks, Traditional Acupuncture Journal

It is thought-provoking and crosses into areas that are rarely touched upon by both modern Chinese researchers and the more innovative of our Western acupuncture educators. It tackles many difficult concepts such as the spiritual, mental, and emotional; aspects of Chinese medicine, source theory, and classical energetic anatomy and physiology. It is a book you can dip into at any time and come out with gems of insight that can only reinforce your belief in a paradigm that is just starting to be explored by our culture and our scientific community. -- Australian Journal of TCM

Language Notes
Text: English, Chinese

Most helpful customer reviews

34 of 36 people found the following review helpful.
Good idea in serious need of revision and corrections
By Quadradox
This book fills an important nitch, that of providing details on the meanings behind the names for acupuncture points and a rapid summary of point features/locations. I find it listed among recommended books (sometimes strongly so), for 5-Element practioners, TCM students and physicians practicing medical acupuncture (sold in the AAMA bookstore). There is apparently only one edition from 1989.

Unfortunately there are errors readily identified, beginning with something that is easily verified with most other sources. The element attached to each of the transport points was wrong or missing in 5 out of 60 cases (8% inaccuracy on just one feature). Details are shown below.

(BL60 is listed as a water point and it actually a fire point; TB or TH 6 was listed as a wood point and is actually a fire point; PC8 was listed as a water point and is a fire point; ST 43 is listed as a water point and is actually a wood point). I don't think it is simply explained by the fact that the authors may have been referring to different sources -- because they list both ST 43 and ST 44 as water points and omit the fire point all together.

Thus until further editing and scholarship is applied, it I think it would be difficult for me or others without advanced knowledge and study of chinese to rely on this as a single source for the meaning of chinese characters. I now feel I need to check with alternative publications.

There some nice features --
1. A list of chinese radicals positioned at the beginning of the book (shows sub-elements of the chinese character that taken together make up the meaning).
2. A Glossary of single characters and their English meaning as Appendix A. Some of these include word etymology which is interesting and helpful.

Furthermore the authors of this book are giants in the field as demonstrated by the following texts which are considered to be critical references for TCM: Fundamentals of Chinese Medicine: Zhong Yi Xue Ji Chu (Paradigm title) and A Practical Dictionary of Chinese Medicine some of whom personally have direct working expertise with Chinese and the ancient classics.

There is an alternative source which I find promising. Characters of Wisdom: Taoist Tales of the Acupuncture Points. It is less ambitious in scope and focuses on the author's expertise -- the use of the points and their meaning for practitioners of 5-Elements acupuncture. Furthermore it is written with a conversational style appropriate both for practitioners and recipients of this form of acupuncture -- with likely relevance to other schools as well. What is included is described in more depth with heavy reliance on creating more memorable visual images; these serve to direct one's wisdom, intuition, intention and participation, particuarly with respect to the elemental uses of each point and thus could enhance depth of communication and healing between clients and their healers.

13 of 13 people found the following review helpful.
an imaginative attempt
By Chinadoc
I bought this book first year and really wish I hadn't. All of the neccesary information is found in Deadman's "A Manual of Acupuncture" and I memorized bad information about the shu points.

I quoted some of this information in China to classically trained Daoists and in hospitals and they laughed at me.

Now I know better and I understand why they were laughing. Much like Worsley, this kind of information appeals to the Westerner's imagination because it was created in a Westerner's imagination. At the time the only thing to be had were poor quality books from China with vague information. In this vaccuum of real information imaginations flourished. The time of infancy in the profession is over, its maturing and requires more sound scholarship.

My book is somewhere in storage and even though I can make eight bucks selling it to amazon, I won't do you the injury.

0 of 0 people found the following review helpful.
Very valuable book for understanding names of the acupuncture "points"
By Eyton J. Shalom, L.Ac.
This book is what it claims to be. It is not there to teach you how to use the points/caves, its there to teach you about the meaning of the names of the points. Learning acupuncture areas as points on a line is a huge mistake, if you learn them by their names, you in most cases, have already begun a relationship with something beyond a point on a line. Modern TCM folk may not care about the meaning of the names because they are practicing a Maoist invented herbalized form of acupuncture.

Take Ki21, dark gate. Its the meeting point of the penetrating vessel, with the Ki channel, so doubly Yin, which tells you something about its function.. Its also the gate from where the Qi of the penetrating vessel exits and passes over the chest, another words a powerful spreading of deep Qi ovrer the heart and pericardium, making it very useful for bringing the soft, cool energy of the penetrating vessel to bear in cases of abdominal pain, bearing in mind that where there is pain there is stagnation and because Qi is warm, stagnant Qi is even warmer, especially as much abdominal pain is due to Liver depression.

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[L825.Ebook] PDF Ebook Painting the Beauty of Flowers With Oils, by Patricia Moran

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Painting the Beauty of Flowers With Oils, by Patricia Moran

Everything you need to know to capture the color and beauty of flowers in your oil painting. Clear, step-by-step instructions give you guidance on every aspect of flower painting from choice of materials to special techniques.

  • Sales Rank: #395356 in Books
  • Published on: 1995-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 8.50" w x .50" l,
  • Binding: Paperback
  • 144 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
BEAUTIFUL AND USER FRIENDLY
By gracies mom
Patricia takes the would be painter through her approach to painting flowers in oils and shows how approachable this subject matter is.
I love the paintings and the easy painterly approach that informs her style.
Every thing is there from choice of color to canvas, to application and so forth.
for me having such beautiful examples makes going to the easel more likely.

0 of 0 people found the following review helpful.
Four Stars
By Kindle Customer
One of the best oil painting books I've seen. Great advice and Moran's paintings are wonderful to see.

0 of 0 people found the following review helpful.
Five Stars
By miminanny
Very helpful and lots of information.

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Monday, April 2, 2012

[G204.Ebook] Ebook Download Cognitive-Behavioral Treatment of Obesity: A Clinician's Guide, by Zafra Cooper, Christopher G. Fairburn, Deborah M. Hawker

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Cognitive-Behavioral Treatment of Obesity: A Clinician's Guide, by Zafra Cooper, Christopher G. Fairburn, Deborah M. Hawker

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Cognitive-Behavioral Treatment of Obesity: A Clinician's Guide, by Zafra Cooper, Christopher G. Fairburn, Deborah M. Hawker

The first cognitive-behavioral treatment manual for obesity, this volume presents an innovative therapeutic model currently being evaluated in controlled research at Oxford University. From leading clinical researchers, the approach is specifically designed to overcome a major weakness of existing therapies: posttreatment weight regain. The book details powerful ways to help patients not only to achieve weight loss, but also to modify the problematic cognitions that undermine long-term weight control. Drawing on strategies proven effective with such problems as binge eating, the manual contains everything needed to implement the treatment: intervention guidelines, case examples, and reproducible handouts and forms.

  • Sales Rank: #1269427 in Books
  • Published on: 2003-05-22
  • Original language: English
  • Number of items: 1
  • Dimensions: .89" h x 7.22" w x 10.26" l, 1.39 pounds
  • Binding: Hardcover
  • 232 pages

Review
"This is an impressive clinical resource, and I have found it to be an excellent text for teaching clinical psychology graduate students. Obesity isn't studied in many training programs, yet it affects so many clients. This is the best book I have seen on obesity treatment from a psychological perspective."--Cathy Smith, PhD, Adjunct Faculty, Graduate School of Psychology, Fuller Theological Seminary

"This book presents a highly creative and unique approach to treating obesity, from among the most trusted figures in the field. The authors' program pushes the boundaries of traditional treatment with a new level of cognitive sophistication. This innovation should not be missed."--Kelly D. Brownell, PhD, Yale Center for Eating and Weight Disorders and Department of Psychology, Yale University

"Cognitive-Behavioral Treatment of Obesity joins the large volume of weight-loss manuals with a special emphasis of its own--maintenance of weight lost during treatment, an often neglected area. To this end, it goes beyond many current weight-loss programs. And, in accordance with their pioneering approach to the eating disorders, the authors provide a detailed roadmap for the treatment of individual patients. From the outset, close attention is paid to the ultimate goal of weight maintenance. The book is well written and its measures easy to apply. The field is eagerly looking forward to the outcome of this innovative approach."--Albert Stunkard, MD, Department of Psychiatry, University of Pennsylvania

"This lucid, well-organized, and clinically sophisticated book represents the state-of-the-art cognitive-behavioral therapy manual for obesity. It extends to obesity many of the features of cognitive-behavioral treatment protocols that have proved effective in treating other clinical disorders. Informed by the authors' expertise and experience in treating eating disorders, the manual's conceptual clarity and procedural detail make it particularly clinician-friendly. It is suitable for use by a wide range of health professionals involved in the treatment of obesity."--G. Terence Wilson, PhD, Graduate School of Applied and Professional Psychology, Rutgers University


"I wish I had discovered this wonderful text as soon as it hit the bookstore shelves! All three authors are respected researchers and clinicians in the area of eating disorders....Even if readers have no formal training in cognitive-behavioral methods, the nine step-by-step modules are readily understandable and easy to implement with clients who are at risk for cardiovascular problems and other serious medical disorders due to their high body mass index....A major bonus of this treatment manual is that the publisher has granted individual purchasers limited reproduction rights of the many wonderful handouts that correspond with each module. The popularity of this text is sure to grow--especially given the abundance of recently published research listing obesity as a major factor in mortality."--Bulletin of the Menninger Clinic (Bulletin of the Menninger Clinic 2004-09-09)

"Clinicians will have an easy time following the step-by-step directions to implement a program for weight loss and weight maintenance....Clinicians who treat obese patients will find this guide very helpful."--Cognitive Therapy Today (Cognitive Therapy Today 2004-09-09)

About the Author
Zafra Cooper, DPhil, DipClinPsych, is Principal Research Psychologist and Honorary Senior Clinical Lecturer in Psychiatry at the University of Oxford.

Christopher G. Fairburn, DM, FRCPsych, FMedSci, is Wellcome Principal Research Fellow and Professor of Psychiatry at the University of Oxford. He is the coeditor of [i]Eating Disorders and Obesity, Second Edition,[/i] and [i]Binge Eating[/i], and the author of [i]Overcoming Binge Eating[/i].

Deborah M. Hawker, PhD, DClinPsy, is Research Psychologist and Honorary Principal Clinical Psychologist in the Department of Psychiatry at the University of Oxford.

Excerpt. � Reprinted by permission. All rights reserved.
Chapter 1. Introduction Chapter 2. An Overview of the Theory and Treatment Chapter 3. Module I: Starting Treatment Chapter 4. Module II: Establishing and Maintaining Weight Loss Chapter 5. Module III: Barriers to Weight Loss Chapter 6. Module IV: Activity and Exercise Chapter 7. Module V: Addressing Body Image Chapter 8. Module VI: Addressing Weight Goals Chapter 9. Module VII: Primary Goals Chapter 10. Module VIII: Healthy Eating in the Long Term Chapter 11. Module IX: Long-Term Weight Maintenance Appendix I. Patient Handouts Appendix II. Useful Websites

Most helpful customer reviews

3 of 3 people found the following review helpful.
Wonderful Program Outlined Step-by-Step
By Gee
Cognitive-Behavioral Treatment of Obesity is so informative that I read it cover to cover within a couple of days before actually going back and studying the material. I am a Counselor aspiring to specialize in weight management and eating disorders. This is the best reference guide I've found related to obesity management. The authors not only guide the counselor through step-by-step modules but also includes dialogue examples with clients as well as educational client hand-outs to help foster a successful weight loss program. Of equal value and importance, clients are taught lifestyle changes to ensure long-term maintenance of a healthy weight. I recommend this book to any counselor with an interest in addressing the issue of obesity in his or her practice. Note: Purchaser of this book is granted 'limited photocopy license' for use with your own clients/patients.

1 of 2 people found the following review helpful.
Helpful tool in therapy
By Stacie Paisley
Very easy read, great tips, very helpful. I'm only through the first few sessions with my patient but seems to be going well. It's a very long treatment program, so at my setting I've had to edit it and just take tips. But I like it.

4 of 6 people found the following review helpful.
Clinicians only.
By Glitterific
If you aren't a clinician, this book is going to be rough for you. Yes, it said "Clinician's Guide" on the cover, but I thought it would be something I could read and learn from as I have a doctorate in a related field. Um. No.

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Wednesday, March 28, 2012

[P585.Ebook] Free PDF Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, and Weiner

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Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, and Weiner



Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, and Weiner

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Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, and Weiner

Recording Conceptual Art features a highly provocative series of previously unpublished interviews conducted in early 1969 with some of the most dynamic, daring, and innovative artists of the tumultuous 1960s. The nine individuals—eight artists and one art dealer—are now known as major contributors to Conceptual art. These fascinating dialogues, conducted by Patricia Norvell, provide tantalizing moments of spontaneous philosophizing and brilliant insights, as well as moments of unabashed self-importance, with highly imaginative and colorful individuals.

  • Sales Rank: #2119121 in Books
  • Published on: 2001-02-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.03" h x .46" w x 7.01" l, 1.12 pounds
  • Binding: Paperback
  • 177 pages

Review
"For me, the beauty of these interchanges lies in their historical and philosophical innocence. In reading through them, we are back at a time-1969-when no one knew the future, even if, in a way, it was already present in Szeemann's exhibitions. The book is delicious for its purity, like water taken from somewhere deep in the earth, untouched by the modern world."--"Artforum

From the Inside Flap
"Reading the interviews gathered by Patricia Norvell more than thirty years ago is like opening one of the time capsules Steven Kaltenbach made at around the same time and discusses here. It makes one feel nostalgic for these uncompromising times-so much has changed, so fast! One should be immensely grateful to Norvell for her undertaking and, paradoxically, for the long delay in the publication of these conversations: nothing could have better highlighted the candor and commitment of the artists who participated in this project than their willingness, long after the fact, to let their youthful voices be heard unedited. This is a precious document that casts a fresh light on the early history of Conceptual art, revealing all the doubts and uncertainties its practitioners had to overcome."—Yve-Alain Bois, Harvard University

"These interviews, full of the rich texture and confusion of an art movement at its inception, began as a "process piece" in mid-1969 when formalism still seemed worth defeating. The artists, tired of talking about turpentine, struggle to extend the rhetoric of form, and as they do so, reveal their roles as theorists and philosophers of a newly cerebral art, Conceptualism. Alberro's helpful introduction frames both Norvell's provocative questions and the surprising responses in a useful book that continues the process of historicizing 20th century art."—Caroline Jones, author of Machine in the Studio

"The contemporary interviews collected in this volume shift the ground on which conceptualism in the United States should be understood. The middle months of 1969 were a time of artistic and social unease when artists were anxious to test-and occasionally to declaim, as the interviews demonstrate-ideas in conversation with a sympathetic interlocutor. Patricia Norvell proves to have been an ideal listener. She knew conceptualism well enough to keep the conversations honest, but not so well as to make the artists defensive and wary. The artists had things to say, and were not afraid to put themselves out on a limb."—John O'Brian, Professor of Art History, University of British Columbia

"A key document of the late 1960s avant-garde."—James Meyer, Emory University

"[This book is] a reminder that the project of Conceptual art and its artists' reasons for refusing the object of art were far from monolithic. The differences that emerge in the interviews are spoken in voices that are still fresh and particular, but each voice and position is tied to the moment of the late 1960s, from stoned mysticism to philosophical idealism, from political optimism to materialist critique."—Howard Singerman, author of Art Subjects

From the Back Cover
"Reading the interviews gathered by Patricia Norvell more than thirty years ago is like opening one of the time capsules Steven Kaltenbach made at around the same time and discusses here. It makes one feel nostalgic for these uncompromising times-so much has changed, so fast! One should be immensely grateful to Norvell for her undertaking and, paradoxically, for the long delay in the publication of these conversations: nothing could have better highlighted the candor and commitment of the artists who participated in this project than their willingness, long after the fact, to let their youthful voices be heard unedited. This is a precious document that casts a fresh light on the early history of Conceptual art, revealing all the doubts and uncertainties its practitioners had to overcome."--Yve-Alain Bois, Harvard University

"These interviews, full of the rich texture and confusion of an art movement at its inception, began as a "process piece" in mid-1969 when formalism still seemed worth defeating. The artists, tired of talking about turpentine, struggle to extend the rhetoric of form, and as they do so, reveal their roles as theorists and philosophers of a newly cerebral art, Conceptualism. Alberro's helpful introduction frames both Norvell's provocative questions and the surprising responses in a useful book that continues the process of historicizing 20th century art."--Caroline Jones, author of "Machine in the Studio

"The contemporary interviews collected in this volume shift the ground on which conceptualism in the United States should be understood. The middle months of 1969 were a time of artistic and social unease when artists were anxious to test-and occasionally todeclaim, as the interviews demonstrate-ideas in conversation with a sympathetic interlocutor. Patricia Norvell proves to have been an ideal listener. She knew conceptualism well enough to keep the conversations honest, but not so well as to make the artists defensive and wary. The artists had things to say, and were not afraid to put themselves out on a limb."--John O'Brian, Professor of Art History, University of British Columbia

"A key document of the late 1960s avant-garde."--James Meyer, Emory University

"[This book is] a reminder that the project of Conceptual art and its artists' reasons for refusing the object of art were far from monolithic. The differences that emerge in the interviews are spoken in voices that are still fresh and particular, but each voice and position is tied to the moment of the late 1960s, from stoned mysticism to philosophical idealism, from political optimism to materialist critique."--Howard Singerman, author of "Art Subjects"

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By nicolas carrasco diaz
just for the smithson interview this volume is important

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Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, and Weiner PDF
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Monday, March 19, 2012

[N245.Ebook] Download PDF Made to Crave: Satisfying Your Deepest Desire with God, Not Food, by Lysa TerKeurst

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Made to Crave: Satisfying Your Deepest Desire with God, Not Food, by Lysa TerKeurst

Made to Crave: Satisfying Your Deepest Desire with God, Not Food, by Lysa TerKeurst



Made to Crave: Satisfying Your Deepest Desire with God, Not Food, by Lysa TerKeurst

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Made to Crave: Satisfying Your Deepest Desire with God, Not Food, by Lysa TerKeurst

Craving isn’t a bad thing. Has food become more about frustration than fulfillment? Made to Crave is the missing link between a woman’s desire to be healthy and the spiritual empowerment necessary to make that happen. Author Lysa TerKeurst personally understands the battle that women face. In Made to Crave, she will help you: • Break the cycle of “I’ll start again on Monday,” and feel good about yourself today. • Stop agonizing over numbers on the scale and make peace with your body. • Replace rationalizations that lead to failure with wisdom that leads to victory. • Reach your healthy goals and grow closer to God through the process. This book is not a how-to manual or the latest, greatest dieting plan. Made to Crave is a helpful companion to use alongside whatever healthy eating approach you choose — an audiobook and Bible study to help you find the “want to” in how to make healthy lifestyle changes. “Lysa has struck a cord that will resonate with women everywhere. Very simply, we were made to crave . . . and that craving must be met by God alone. Read this book!” — Karen Kingsbury, America’s No. 1 inspirational novelist “Made to Crave may possibly be the most important book I’ve ever read on the matter of weight . . . and I’ve read A LOT! The world will never be at a loss for authors telling us what foods to eat, what foods to avoid, or how to exercise. Yet with all of this knowledge we are unhealthier than ever. Something is missing. And Lysa has tapped into the mystery that has plagued so many of us who battle with the bulge. If you are tired of the endless diet cycle, read Made to Crave. It will change your mind and then it will change your life.” — Mandisa

  • Sales Rank: #89610 in Books
  • Published on: 2014-05-06
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .50" w x 5.25" l,
  • Running time: 6 Hours
  • Binding: MP3 CD

From the Back Cover
Made to Crave is the missing link between a woman's desire to be healthy and the spiritual empowerment necessary to make that happen. The reality is we were made to crave. Craving isn't a bad thing. But we must realize God created us to crave more of him. Many of us have misplaced that craving by overindulging in physical pleasures instead of lasting spiritual satisfaction. If you are struggling with unhealthy eating habits, you can break the 'I'll start again Monday' cycle, and start feeling good about yourself today. Learn to stop beating yourself up over the numbers on the scale. Discover that your weight loss struggle isn't a curse but rather a blessing in the making, and replace justifications that lead to diet failure with empowering go-to scripts that lead to victory. You can reach your healthy weight goal -- and grow closer to God in the process. This is not a how-to book. This is not the latest and greatest dieting plan. This book is the necessary companion for you to use alongside whatever healthy lifestyle plan you choose. This is a book and Bible study to help you find the 'want to' in making healthy lifestyle choices.

About the Author
Lysa TerKeurst is a bestselling author and national speaker who helps everyday women live an adventure of faith. She is the president of Proverbs 31 Ministries, author of 14 books, and encourages nearly 400,000 women worldwide through a daily online devotional. Her remarkable life story has captured audiences across America, including appearances on Oprah and Good Morning America. She lives in North Carolina with her husband and five children.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Full of encouragement, grace and humor
By 4kidmama
Lysa's discussion about focusing our lives on Jesus and allowing him to fill the need we have with his presence instead of food offers encouragement and grace for this life. She reframes many of our perspectives on food, dieting, and healthy choices by pointing to scripture and being hilarious. I would highly recommend this book to anyone looking for extra help on the path of getting healthy and changing their way of viewing food related struggles.

19 of 20 people found the following review helpful.
This was a good book but I will also recomend two other books to you
By EID
I love the author's blog and her writting style ministers to me in an amazing way and this is a good book to read if you struggle with food issues but I suggest yo read Thin Within by Judy Halladay and Arthur Halladay or The Eden Diet by Rita Hancock before you read Made to Crave. Lysa isn't very clear about how to have a better relationship with food and she doesn't give you any suggestions about what approach to take to get better in this area. Basically she just says that you should use the bible to fight the temptation of eating unhelthy foods. If you read the two books I have suggested you will see how to make your relationship with God stronger and also deal with food issues. I do love that she puts all the Bible verses she uses in the book at the end listed by chapter title so that you can refer to them when you need them. This is a very good book and it ministered to me a lot but If I had not read the other two books first I don't think I would have gotten much out of it because she was very vauge and didn't give a specific aproiach to follow.

11 of 12 people found the following review helpful.
Didn't care for the author. Look past that, decent study...
By Ang
It wasn't so much the study as just how annoying the author was. She took way too many liberties with scripture. I see why she is popular. Twists the Word to fit her needs - seems to be what society likes. The overall study was thought provoking.

See all 1301 customer reviews...

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Monday, March 5, 2012

[A621.Ebook] PDF Ebook Star Trek: Klingon Bird-of-Prey Haynes Manual, by Ben Robinson, Rick Sternbach

PDF Ebook Star Trek: Klingon Bird-of-Prey Haynes Manual, by Ben Robinson, Rick Sternbach

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Star Trek: Klingon Bird-of-Prey Haynes Manual, by Ben Robinson, Rick Sternbach

Star Trek: Klingon Bird-of-Prey Haynes Manual, by Ben Robinson, Rick Sternbach



Star Trek: Klingon Bird-of-Prey Haynes Manual, by Ben Robinson, Rick Sternbach

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Star Trek: Klingon Bird-of-Prey Haynes Manual, by Ben Robinson, Rick Sternbach

An all-new Star Trek technical manual of the legendary Klingon Bird of Prey, presented in the world-renowned Haynes Manual format!

The Bird-of-Prey is the classic Klingon starship—a tough raiding and scouting vessel that has served at the heart of the Klingon Defense Force for more than a hundred years. Life on board is harsh and brutal, with any sign of weakness leading to a challenge to the death. The ship itself is stripped back and lean, with everything designed for a single purpose—war.

This Haynes Manual traces the origins of a Bird-of-Prey from the moment it is commissioned by one of the Great Houses and constructed at the shipyards of the Klingon Naval Academy. It then proceeds to examine General Martok’s famous ship the I.K.S. Rotarran in unprecedented detail.

Featuring a stunning cutaway drawing and, for the first time ever, detailed deck plans and incredible new computer-generated artwork, the Haynes Bird-of-Prey Manual is a technical tour of the ship’s systems, from the bridge and engineering rooms to the disruptors, torpedo launcher, and the all-important cloaking device. In addition, the Manual provides a unique insight into life on board a Klingon ship and the Rotarran’s glorious history in the Dominion War.

This Haynes Manual is fully authorized by CBS. All the new artwork has been designed by STAR TREK: THE NEXT GENERATION and STAR TREK: VOYAGER’s senior illustrator Rick Sternbach, who is the world’s leading expert on STAR TREK technology, with CG renders produced by STAR TREK VFX artist Adam ‘Mojo’ Lebowitz.

  • Sales Rank: #122346 in Books
  • Brand: Pocket Books
  • Published on: 2012-11-06
  • Released on: 2012-11-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.88" h x .70" w x 8.37" l, 1.40 pounds
  • Binding: Hardcover
  • 128 pages

About the Author

Rick Sternbach is a Hugo and Emmy Award-winning visual artist with extensive film and television experience. Famous for his work on Star Trek, he has been responsible for a number of starship designs. He co-wrote the Star Trek: The Next Generation Technical Manual and the Deep Space Nine Technical Manual.

Ben Robinson worked on The Official Star Trek Fact Files, the most extensive source of Star Trek information ever published. He was also the lead author on the U.S.S. Enterprise Haynes Manual.

Excerpt. � Reprinted by permission. All rights reserved.


COMMISSIONING A BIRD-OF-PREY

The Bird-of-Prey is the classic Klingon starship. It is a fast and deadly scouting and raiding ship that has been at the heart of the Klingon Defense Force for centuries. The first examples even pre-date Klingon spaceflight. Small fighters with the same basic layout have been in use since early planetary conflicts. That design has been modified over the centuries, first to incorporate impulse engines, then warp engines. Even fundamental changes to the science have been incorporated into the same basic spaceframe. The Klingons have simply seen no need to change something that they believe is fundamentally correct.

By the late 2370s, the design of the Bird-of-Prey had been settled for over a century, but ships were produced at a variety of scales from vast K’vort-class battlecruisers to tiny scouting vessels. The archetypal version of the ship is the B’rel-class, a 139-meter long ship with seven decks and a crew of 36. The internal layout and even weaponry vary from ship to ship, but they are all capable of high warp speeds, and fitted with a cloaking device. To many Klingon minds it is the perfect fighting vessel—as fast, tough and deadly as its crew.

When the semi-mythical Klingon leader Kahless united the Klingon people over a thousand years ago, he established the great Klingon Military Academies, which are operated under the control of the High Council rather than by the individual Great Houses. The most famous of these are the Training Academy at Ogat and the Klingon Naval Academy on Dek’Go’Kor. The Klingon Naval Academy is responsible for the principal design and mass production of ships.

The Academy has far greater resources than even the most powerful of the Great Houses and has the remit of concentrating on large-scale technological developments in areas such as warp and impulse dynamics, and the fundamentals of spaceframe design. The Houses are then left to concentrate on the details of how the ships are fitted out and are much more likely to improve the design of weapons and shielding as they seek to find even the smallest advantage in combat.

Klingon design philosophy has always centered on tried-and-tested methods and places great importance on the ability to mass-produce ships at great speed. As such, it has concentrated on a handful of basic designs, which form the backbone of the Klingon fleet, the Bird-of-Prey and the battle cruiser being the most common. The modular design means that the maximum number of ships can be produced at the fastest possible rate.

Wherever possible, the same structural elements are scaled up or down to produce ships of different sizes. The Klingons are reluctant to make major structural changes to their starship designs, preferring to concentrate on improving the individual systems. As a result, Birds-of-Prey vary enormously in size from tiny B’rel-class scouting ships to vast K’vort-class cruisers. The larger of these ships are literally scaled up versions of the basic design even down to the size of the disruptor cannons, which become enormous units that are almost as long as the smallest ships.

DORSAL VIEW

1 Defensive Shield Plating

2 Cloaking Field Emitter

3 Deck 4 Entry/Escape Hatch

4 Subspace Communications Antenna

5 Space Environment Sensor Group

6 Tactical Command Transceiver

7 Atmospheric Flight Flow Sensor

8 Deck 3 Cargo Bay External Access

9 Deck 3 Access Hatch

10 Deck 1 & 2 Dorsal Blister

11 Upper Wing Hinge Plates

12 Lower Wing Hinge Plates

13 Warp Field External Shaping Plates

14 Reaction Control System Thrusters

15 Warp Wing Induction Energy Storage

16 Warp System External Resupply Connections

17 Dorsal Aft Impulse Engines

All the Great Houses in the Empire pledge their loyalty—and their ships—to the High Chancellor.

Of course, this approach means that Klingon ship design is rarely as innovative as that used by other groups such as the Federation and although there have been advances in warp and weapons technology, anyone looking at a Bird-of-Prey from the 2370s would instantly recognize it as being the same as models that were in use well over a century earlier.

For hundreds of years the Bird-of-Prey has been designed for warp flight, for sublight travel within a planetary system, and to enter a planet’s atmosphere, where it is highly maneuverable and can land on the surface. All Birds-of-Prey are heavily armed and heavily armored, follow the same basic layout, and are fitted with a cloaking device that can render them invisible to sensors, but beyond this there are significant differences between each ship.

There is no central authority that dictates how a Klingon starship should be fitted out. Although almost all Klingon ships operate as part of the Klingon Defense Force, they are not commissioned or even operated by a central body in the way that ships are in the Federation or the Romulan Empire. Klingon society operates on feudal lines, with individuals and families pledging their allegiance to Houses, the greatest of which come together to form the Klingon High Council, which is led by the High Chancellor. It is these Houses that are responsible for commissioning ships.

VENTRAL VIEW

1 Central Navigational Deflector

2 Photon Torpedo Launcher

3 Emergency Subspace Buoys

4 Central Computer Core

5 Ventral Sensor Cap

6 Plasma Power Conduit

7 Forward Impulse Engine

8 Active/Passive Targeting Sensors

9 Port Warp Wing

10 Wingtip Disruptor

11 Secondary Disruptor Cannons

12 Primary Disruptor Cannon

13 Warp Field External Shaping Plates

14 Warp Wing Structural Reinforcements

15 Ventral Aft Impulse Engines

16 Deck 7 Loading Ramp

17 Tractor Beam Emitter

Kruge’s Bird-of-Prey decloaking before its encounter with the tiny Merchantman.

This means that individual Birds-of-Prey are fitted out very differently depending on the resources and personal preferences of the House that commissions them. One House may prefer speed and maneuverability over pure power; another may choose to fit its ships with phasers rather than disruptors. There are potentiality as many permutations as there are Klingon ships. It is a well-known saying that no two weapons are the same. This variety has proved a great strength in battle; for example, during the Dominion War one Klingon Bird-of-Prey, the Ki’tang, proved to be immune to the devastating Breen energy dampening weapon because it used a different tritium intermix to the other ships in the fleet.

Despite this enormous diversity in the way Klingon ships are equipped, the fundamental structure of the spaceframe is the same for almost every one and all Birds-of-Prey, whether they are raiders or cruisers, have the same basic layout with the bridge in the section at the head, above the photon torpedo launcher, and the impulse and warp engineering sections at the rear between the wings, which generate the warp fields. The disruptor cannons are always at the tips of the wings, and the bottom of the ship always features a landing ramp that can be extended to the ground.

When a House is ready to commission a ship, it contacts the Naval Academy shipyards and arranges payment. The shipyards then assign a renwl’, or architect, to the project and he meets with the representatives of the House to discuss the exact fit and specifications of the ship. The standard Bird-of -Prey is the 139-meter B’rel-class scout. This is the starting point for every version of the ship and is by far the most common. When a Bird-of-Prey is scaled up, the basic vehicle spaceframe remains proportionally the same, with extra decks being added as the ship increases in size.

FORE VIEW

AFT VIEW

1 Defensive Shield Plating

2 Central Navigational Deflector

3 Photon Torpedo Launcher

4 Cloaking Field Emitter

5 Subspace Communications Antenna

6 Active/Passive Targeting Sensors

7 Warp Wing

8 Reaction Control System Thrusters

9 Deck 1 & 2 Dorsal Blister

10 Lower Wing Hinge Plates

11 Short Range Sensors

12 Disruptor Cannon Structural Extension

13 Wingtip Disruptor

14 Secondary Disruptor Cannons

15 Primary Disruptor Cannon

16 Upper Wing Hinge Plates

17 Warp Wing Induction Energy Storage

18 Warp Wing Structural Reinforcements

19 Dorsal Aft Impulse Engines

20 Ventral Aft Impulse Engines

21 Deck 7 Loading Ramp

The Bird-of-Prey is one of the most common ships in the Klingon fleet and is the ideal scouting and raiding vessel.

However, most Klingon commanders are happy with the standard sized ship. The disagreements tend to come when the shipyard has to fit the engines and weapon systems. Not all Klingons appreciate the compromises that are needed to produce an effective ship and there are stories of Klingon Houses insisting on overpowered engines and dangerously over-specced disruptors. The renwl’ has a duty to reign in these excesses and to produce a good fighting ship. It is not unheard of for these disagreements to end in violence and accordingly the architects are among the most physically impressive and skilled non-warriors in the Klingon Empire. It is a position of great honor since it is one of the rare roles that allows a common civilian to tell a noble warrior that he is wrong.

STARBOARD VIEW

1 Cloaking Field Emitter

2 Central Navigational Deflector

3 Defensive Shield Plating

4 Space Environment Sensor Group

5 Ventral Sensor Cap

6 Central Computer Core

7 Plasma Power Conduit

8 Atmospheric Flight Flow Sensor

9 Short Range Sensors

10 Lower Wing Hinge Plates

11 Upper Wing Hinge Plates

12 Warp Wing Induction Energy Storage

13 Reaction Control System Thrusters

14 Warp Field External Shaping Plates

15 Disruptor Cannon Structural Extension

16 Wingtip Disruptor

17 Secondary Disruptor Cannons

18 Primary Disruptor Cannon

Klingon Birds-of-Prey fought on both sides of the Klingon civil war that followed K’mpec’s death and captains such as Kurn became important men.

The internal layout of a Bird-of-Prey can vary enormously from ship to ship. Commander Kruge favoured an unusual design of bridge that put him on a raised platform.

The wiser houses understand exactly what it takes to make a good fighting ship, which, according to the Klingon bards, should be like a finely balanced blade, quick to respond to the hand but heavy and sharp enough to cut deep. As a result there is such a thing as a classic Bird-of-Prey and any differences normally relate to the internal layout, the kind of torpedoes carried and the precise balance between maneuverability and power.

One of the defining characteristics of the Bird-of-Prey’s design is the Klingons’ devotion to multiple redundancies. All the ship’s important systems operate in pairs—or multiples—of interconnected systems. Thus there are twin warp cores, and 12 impulse engines that produce forward propulsion (a further pair of impulse engines produces downward ‘thrust’). Even the EPS (electroplasma) conduits that distribute power around the ship operate in branching pairs.

If one of the systems is completely knocked out there is another to take over its duties, but this isn’t simply a case of one system coming into play when another fails; the systems on a Bird-of-Prey are interconnected and permanently operating. This means that if one of the warp cores isn’t functioning at full capacity, the other one can take on a portion of its load to compensate. The Klingons have taken the system even further so the impulse and warp engines are tied into one another and can supplement each other if one of them is severely damaged.

By designing their ships this way, the Klingons are following the nature of their own bodies, which have a similar form of redundancy known as brak’lul. For example, the Klingon body has 23 ribs (double the number found on a human being), two livers, and an eight-chambered rather than four-chambered heart.

In many ways this system of multiple redundancies could be seen as wasteful. In some cases it means forcing barely compatible systems to work together in ways that other cultures wouldn’t even attempt, but it also makes Klingon ships remarkably tough and as a consequence they can withstand more damage than almost any comparable vessel.

The biggest differences between individual Birds-of-Prey are often seen in the internal layout. The interior bulkheads are designed to be repositionable, so that a commander can choose how the internal volume is divided. A B’rel-class ship is actually surprisingly spacious for the standard crew of 36, but in some cases commanders still insist on making their crews share quarters and devoting disproportionately large areas to cargo. Even after the ship has been commissioned the bulkheads can be moved around easily, converting a raiding ship into a troop transporter that is suitable for delivering warriors to the front line of a ground-based battle.

Whereas the outside of a Bird-of-Prey rarely varies, the design of the bridges can be as different as the men who command them. Some versions are dominated by throne-like command chairs on raised platforms with the other bridge officers seated in a well around the edge of the room; others use a periscope-like device that descends from the deck above and allows the commander to target the weapons personally. The most common version places the commander in the center of the room, with the helm and navigation stations directly in front of him, his first officer behind him and other bridge stations around the perimeter of the room.

Kruge’s Bird-of-Prey confronts the Constitution-class U.S.S. Enterprise in orbit around the Genesis planet.

B’REL VERSUS K’VORT-CLASS



Some Birds-of-Prey have featured a periscope-iike device that the captain uses to target the weapons.

Once a Bird-of-Prey is completed it is delivered to the House that commissioned it, and under Klingon tradition, instantly pledged to serve in the Klingon Defense Force. Klingon Houses vary enormously in size. The most powerful Houses consist of thousands of men, and may control hundreds of ships. For example, in the early 23rd century the House of Jarod controlled over 250 ships. At the opposite end of the scale a smaller House might control just a single ship.

Following Kahless’s reforms, the Houses all agreed to send their men and ships to serve in the Klingon Defense Force. The administration of this is controlled by the High Council and the major appointments are made by the High Chancellor himself. In theory, the Houses only hold their possessions with the consent of the High Chancellor, who can revoke their privileges and take control of their ships and lands. However, the Chancellor is rarely in a position to do this, and depends on the support of the more powerful houses. As a result, senior appointments can depend as much on family connections as on personal excellence.

In the centuries after Kahless, the Great Houses all pledged their allegiance to an Emperor, but in practice individual captains and the leaders of the Houses formed an often uneasy alliance that kept the Empire together. Little has changed in the last thousand years and as such the captain of a Klingon ship has very real political power.

The leader of a Great House appoints the captain and crew of each ship, and their first loyalty is almost always to him before the Emperor or the High Chancellor. In times of conflict it is not uncommon for the Houses to form power blocks that are opposed to the High Chancellor or one another. It is less common, but not unheard of, for the captains of individual ships to disobey orders given by the leader of their House and choose their own side in a conflict.

The individual Houses also have their own facilities for developing new weapons, and as soon as cloaking technology was acquired several of the more powerful Houses started looking for ways to overcome its limitations. Scientists from the House of Chang managed to develop the device to a point where ships could actually fire while cloaked. Because of the way Klingon society operates, this technology was not shared with the other Houses or the Klingon Defense Force. Chang preferred to keep the technology to himself and to use it in a bid for power.

In the 2290s General Chang used a prototype Bird-of-Prey with an advanced cloaking device to disrupt peace negotiations with the Federation.


CLOAKING DEVICE HISTORY

All Birds-of-Prey are fitted with a cloaking device that renders the ship invisible to both the naked eye and almost all forms of sensor. The Klingons first acquired cloaking technology in 2268 during a brief alliance with the Romulan Star Empire and since then it has become a standard feature on all Klingon ships. Over the years, it has been continually upgraded but, apart from a few brief periods, has always had some important limitations: a cloaked ship cannot communicate with anyone else or fire any kind of weapon. The cloak works by generating a quantum phase bubble around the ship that instantaneously teleports EM radiation to the other side of the cloaked area.

The Klingons had been interested in cloaking technology since their first encounters with the Romulans in the 22nd century, but Klingon scientists had never been able to develop an effective version of their own. By the mid-2260s both the Klingon and Romulan empires had become concerned about the expansion of the United Federation of Planets, which was growing at the fastest rate in its history. The Federation, which had been at war with both empires, was gaining new members and resources at a phenomenal rate. Although the Romulans and Klingons were extremely suspicious of one another it was clear to them that they were in danger of being marginalized.

The Romulans had emerged from isolation in 2266 and tried the Federation’s defenses with a new generation of cloaked ship. Although the cloaking technology appeared promising, the ship failed to return, leading many in the Romulan military to feel that it was underpowered. In particular they were concerned that Federation ships had greater firepower, better defenses and could achieve higher speeds.

The following year the Klingons launched an all-out war against the Federation, but were halted by an extremely powerful species, called the Organians, who imposed a peace treaty on them. To many Klingons the Organian peace treaty seemed to favor the Federation, since it set up a system where the control of unaligned worlds was determined by the economic rather than military benefits either power could offer. The Klingons were concerned that the Federation was acquiring valuable resources that would leave them much better equipped for war.

In late 2267, a Romulan delegation approached the Klingon Empire, offering them access to cloaking and computer technology in return for starship designs and disruptor technology. Many members of the Klingon High Council were suspicious of the Romulans’ motives, but the lure of cloaking technology proved too great and by early 2268 the Romulan Senate and the Klingon High Council had signed a treaty that provided for a limited exchange of technology and offered guarantees about encroaching into one another’s space.

The first D7-class Klingon cruisers were delivered to the Romulans within a matter of months, while the Romulans handed over four working cloaking devices. The cloaking devices required a certain amount of modification before they could work with the Klingon ships—in particular the Klingon warp engines had to be realigned to reduce their radiation emissions, and top speeds had to be cut to avoid detection. The cloaking devices also required constant monitoring. Only a handful of engineers in the Imperial Fleet understood how to operate them and Klingon captains had little idea of how to adjust their tactics.

The Federation was so alarmed by this development that they risked a major diplomatic incident by breaching the Romulan Neutral Zone and stealing a cloaking device from one of the newly supplied D7 battle cruisers. The Klingons proved that Starfleet’s concern was justified the following year, when the Klingon commanders Kor and Kang took two cloaked divisions of D5 battle cruisers to launch a surprise attack on Caleb IV. The attack was devastating and became known as a famous victory.

However, even at this early stage the Romulan-Klingon alliance was showing signs of stress. Despite the assurances given in the treaty, the Romulans took advantage of their new battle cruiser technology to annex several disputed worlds along the Klingon-Romulan border. The Klingons retaliated and within a matter of months the treaty was in tatters.

The Klingons first acquired cloaking technology in 2268 as part of a technology exchange with the Romulans. In return the Romulans gained access to the designs for Klingon battle cruisers.

The cloaking device normally prevents a cloaked ship from firing its weapons. This limitation was briefly overcome by General Chang in the early 2290s who developed a Bird-of-Prey that could fire torpedoes while cloaked.

Meanwhile, the Federation appeared to be developing new countermeasures against the cloaking device. The balance of power had shifted, and although hostilities continued, the Klingons drew back from all-out war. They took advantage of the situation to roll out the technology to the entire Imperial Fleet, in a massive program that saw every ship from the tiniest scout to the largest warship fitted with a cloaking device.

The Great Houses set their scientists to improving the cloak and overcoming its limitations, which prevented a cloaked ship from firing any kind of weaponry. By 2292 the House of Chang had developed a prototype Bird-of-Prey that could fire while cloaked. This relied on a special modification that allowed photon torpedoes to be fired through the cloaking field. Since the prototype was destroyed and Chang did not make the technology available to the Klingon Defense Force, it is not absolutely clear how the modification worked. It is thought to have involved an active, energized surface material that was built into the torpedo housings. This meant that the torpedoes could pass through the cloaking field without being affected by the spatial distortion. The modifications reduced the overall effectiveness of the cloak, and exposed the General’s vessel to repeated—and fatal—return fire from Starfleet’s Enterprise and Excelsior starships.

After the 2270s the Klingons and Romulans did not share cloaking technology until the Dominion War and as a result the approaches have diverged slightly. The Romulans in particular have experimented with methods of moving an entire ship out of phase with the normal universe, not only making it undetectable but potentially immune to weapons fire. The Klingons have concentrated on methods of firing while cloaked. To date neither of these approaches have met with lasting success.

The Dominion War posed such a great threat that the Klingons and the Romulans eventually allowed a modification of their treaties with the Federation so that the U.S.S. Defiant could be equipped with a cloaking device. Klingon scientists had to redouble their efforts to improve the cloaking device after it emerged that the Dominion could detect cloaked ships. The cloak remains a vital asset for the Klingon Empire, despite its controversial history connected with the Romulans, and it is now impossible to imagine a Bird-of-Prey that cannot conceal itself from its enemies.

During the Dominion War the Klingon Empire modified its treaties with the Federation to allow the Federation to equip one of its warships, the U.S.S. Defiant, with a Romulan cloaking device.


WING POSITIONS

The warp wings on the Bird-of-Prey are variable geometry, which means they have the capability of altering their angle for three distinct flight modes: Flight, in which the wings are held out roughly horizontal to the ship; Attack, where the wings are dropped to a 45-degree angle bellow the ship; and Landing, where the wings are swept up keeping them free of the ground. Each of these three positions has distinct advantages and alters the way the wings function, and the position is determined by either internal hardware configurations or external conditions, with movements achieved by a redundant series of heavy-duty electromechanical actuators.

The wings are each attached to the hull structure by way of a substantial hinge assembly 1.74 meters in diameter outboard of Deck 5. Six identical pairs of rotational mounts are gamma welded to each side of the aft hull and to each wing box in a microgravity assembly fixture. The fixture is equipped with 235 precision optical and magnetic sensor guides to align the hinge sections to accept the tempered duranium center cylinder.

Six pairs of actuator motors and multiple position and torsion sensors are integrated within the rotational joints. When the wings are moved, the actuators are controlled by the central computer according to the ship’s real-time flight mode, or commanded by the helm officer within the flight safety limits perceived by the navigational system. Normal motion rates are kept to within 5–8 degrees per second while in space, though emergency motor power can be applied to move though 14 degrees per second. Power for the actuators comes from three pairs of medium step-down plasma nodes.

In the flight position the wings take on the role that is served by warp nacelles on most other vessels, with superheated plasma energizing warp coils to create a warp field around the ship. When the Bird-of-Prey is in this mode the wings are generally level with the horizontal plane of the ship and with each other. Standard warp flight for the Bird-of-Prey involves energy fields that move the vessel most efficiently when they are coplanar, emanating from the warp plates vertically and aft and interacting only minimally above or below the ship.

The transverse plasma conduit connecting the warp reactors to the wings on Deck 5 incorporates a rotating joint, which is fully open in the cruise configuration. This allows for the most speed and faster-than-light (FTL) maneuvering options in transport or battle situations.

Attack maneuvers with the disruptors powered up require the wings to transition to the dropped position, at least 43 degrees away from horizontal. This transition can occur while the ship is slowing from warp to sublight, and in fact the lowered wings can facilitate the bleed-off of warp field energy. This procedure is sometimes used as a braking tactic to allow a Bird-of-Prey to switch from being pursued to becoming the pursuer. The dropped wings create a constriction in the warp plasma conduit necessary for the disruptors to pressurize properly and form plasma bolts dense enough to inflict major damage.

Disruptor bolts can be fired at more flattened angles, though the energy contained in each bolt will be diminished. In some cases, this may be enough to disable an enemy vessel, especially if boarding and not immediate destruction is the objective. The attack position has the added benefit of protecting the lower decks in the aft hull, where the warp cores are situated, plus the ship’s neck structure from certain angles. While the defensive shield grid and armor plating remain the primary lines of defense, the wings can shadow the ship from incoming energy weapons fire or projectile weapon detonation.

Landing position elevates the wings to approximately 40 degrees above the plane of the hinge. This procedure lifts the wingtip disruptors safely above ground level and minimizes hardware impacts with support crews and maintenance equipment. It also helps to center the wing mass over the deployed landing gear. The wingtip separation distance is decreased, allowing for touchdowns in areas that might be slightly less open than at dedicated bases. Once on the ground, the wings can be lowered for repair work or routine checks.

Structural rigidity at each flight position is enhanced by two distinctive sets of interleaved hinge plates on each side of the ship. The upper halves are attached to the hull, the lower halves to the warp wing box. The plates, fabricated from duranium titanide, are allowed to slide past each other until exposed to a modified tractor field, which causes them to grab and lock. The locked plates are particularly helpful during planetary landings and takeoffs where the wings need to be supported against gravity, even with the help of the mass-lightening impulse engines.

Most helpful customer reviews

35 of 35 people found the following review helpful.
Qapla'!
By C. J. Petrosky
So I recently acquired a used Class G12 Bird of Prey and I discovered that the warranty work was never performed on the Plasma Coils. Unfortunately the recall campaign has since expired and that would've left me with the defective coils which are susceptible to low level iconic pulses. I really didn't care to have my cloaking device activated by my enemies so I bought this Haynes manual. It's got all the info needed to replace the Plasma Coils with the latest revision and covers many other topics as well! Qapla'!

0 of 0 people found the following review helpful.
Excellent and detailed guide to the Klingon Bird of Prey
By Daniel J. Mello
Excellent and detailed guide to the Klingon Bird of Prey. It covers the ship extensively and exhaustively. For those who like to know where every bathroom is placed, every transporter pad and how they are supposed to function as a unit with all the other subsystems this book is a must have. For die-hard Star Trek fans this is a must have book. I found it engaging full of the charts and maps I wanted and very detailed.

0 of 0 people found the following review helpful.
but Its a great addition to my gowing collection of silly Haynes
By Jason Kaechler
Its not exactly a suspeseful page turner of a novel, but Its a great addition to my gowing collection of silly Haynes manuals

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