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The Music of Chance, by Paul Auster
Free PDF The Music of Chance, by Paul Auster
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Finalist for the PEN/Faulkner Award for Fiction, The Music of Chance follows Jim Nashe who, after squandering an unexpected inheritance, picks up a young gambler named Jack Pozzi hoping to con two millionaires. But when their plans backfire, Jim and Jack are indentured by their elusive marks and are forced to build a meaningless wall with bricks gathered from ruins of an Irish castle. Time passes, their debts mount, and anger builds as the two struggle to dig themselves out of their Kafkaesque serfdom.
New York Times-bestselling author Paul Auster (The New York Trilogy) brings us back into his strange, shape-shifting world of fiendish bargains and punitive whims, where chance is a powerful yet unpredictable force.
- Sales Rank: #604726 in Books
- Published on: 1991-12-01
- Released on: 1991-12-01
- Original language: English
- Number of items: 1
- Dimensions: 7.70" h x .60" w x 5.00" l, .39 pounds
- Binding: Paperback
- 224 pages
From Publishers Weekly
Compulsive traveler Jim Nashe finances an epic poker match for a self-proclaimed jackpot winner. "In his lucid, captivating yarn, Auster quietly raises disturbing questions of servants and masters, of loyalty, freedom and the inexplicable urge to kill," said PW .
Copyright 1991 Reed Business Information, Inc.
From Library Journal
This insightful novel is a taut study of the self-contradictory mind living by chance while thinking it can get away with anything. Jim Nashe is a frivolous Boston fireman who needs music as a life crutch. His wife abandons him just before his father dies, leaving him money that he squanders aimlessly while driving around America. Near desperation, he meets a bitter young itinerant gambler, Jack ("Jackpot") Pozzi, who lures him into a losing poker game with two shady recluses, Flower and Stone, on their Pennsylvania estate. Nashe and Pozzi must retire their debt by building a stone wall on the premises: what this Herculean labor does to them is the novel's leitmotif. An interesting story, but some may object that the journalistic prose merely tells the story instead of showing it.
- Kenneth Mintz, formerly with Bayonne P.L., N.J.
Copyright 1990 Reed Business Information, Inc.
About the Author
Paul Auster is the bestselling author of�The New York Trilogy�and many other critically acclaimed novels. He was awarded the Prince of Asturias Prize in 2006. His work has been translated into more than forty languages. He lives in Brooklyn, New York.
Most helpful customer reviews
41 of 44 people found the following review helpful.
Smashing the instruments changes the music
By Mike Stone
I don't know if I necessarily enjoyed this book (or any Paul Auster book, for that matter). The enjoyment comes from the questions I ask myself after I've put the book down. It is not an enjoyable reading experience, but rather a contemplative one. In that regard, it is a highly successful piece of art.
The story appears to be relatively simple. One man goes driving. He meets another man on the road. The two of them meet some eccentric millionaires. The four men play poker. Then two men build a wall. It is almost nonsensical now that I look back on it. But the story's not really the thing (it never is in an Auster book). So don't go looking for closure, and don't expect easy answers. It's all just an excuse for some finely written meditations on the nature of fate and the restrictions of freedom.
Auster's writing style is enigmatic. There is a faux-coldness to it, appearing at first glance distant and reserved. Closer inspection, however, reveals much humanity and passion in his prose. I've always had suspicions that his surname is really an ingeniously calculated pseudonym, for any austerity in the writing is both sincere and ironic. That's a neat trick to pull off, and, to my mind, his greatest strength as a writer. In this example from his oeuvre, he gets the balance just right.
11 of 11 people found the following review helpful.
When fate rests on the flip of a card........
By David J. Gannon
Auster has a way with a certain type of character-one who is both on the fringe of both society and sanity both. They are not often very likeable or sympathetic characters, but they always are engrossing characters.
Jim Nash's veneer of sanity breaks when an unexpected windfall from the father he hates kicks out what little emotional support kept him on the straight and narrow and converts him into a wandering, nomadic drifter with his own transportation. In the midst of his journeys he meets Jack Pozzi, also a wanderer-sans transportation. Pozzi suckers Nash into an questionable gambling adventure that backfires, leaving them with a debt that leaves then essentially in a state of indentured servitude. The bulk of the story centers on how they cope with that condition.
The fundamentals of the story, as is so often the case with Auster, are , on reflection, faintly ridiculous. However, it is mood, character and fate that concern Auster, and his-and our-immersion into those topics render the absurdities of the actual story irrelevant.
I've read several Auster books and can't really say I've like any of them particularly, but they do fascinate me. I keep going back for more. The bottom line is what Auster does is ask questions about life and fate-in such a way that you are forced to think about them in your own terms. Auster does not supply answers-heck, not one of his books I've read can really be said to have an ending or resolution of any meaningful sort-but the way the questions are posed will haunt you-and keep you coming back for more.
5 of 6 people found the following review helpful.
great convoluted story, full of absurdities and nonsense, extremely enjoyable
By Aleksandra Nita-Lazar
As a lifetime worshipper of Paul Auster, I have yet to read his book I would not like. "The Music of Chance" is another one I immensely enjoyed. The life of Jim Nashe, a fireman from Boston, which so far has been good, average and rather unremarkable, with all common joys and problems, is forever changed by the unexpected inheritance he receives from the absent father.
Nashe, left by his wife just before he receives the news about the pleasant sum left for him, decides to leave his daughter with her aunt, quits his job, buys a Saab and starts driving aimlessly through the country, spending time on the road, listening to classical music and sleeping in motels. The money lasts for just about a year of such life and before Nashe manages to think twice, he is left with just about enough to see him through until he finds a source of income. Driving aimlessly, but just about to (reluctantly) decide to get back to his sister and his daughter, Nashe spots a wrecked-looking young man walking alongside the road. On an impulse, he stops and gives the badly beaten man a lift. It transpires that Jack Pozzi a. k. a. Jackpot, is a masterful poker player (and a poker addict) who needs money to put on the table in a very important game, which he fully expects to win. Nashe decides to give Jack his remaining money in hope this adventure can multiply his funds and continue his careless lifestyle for a while.
This is a start of an unexpected string of events, involving Jack's life story, meeting two fabulously rich eccentrics, Flower and Stone (Pozzi and Nashe's opponents in the crucial poker game) who owe their wealth to the winning lottery ticket, and building (in a middle of the woods) the wall of the stones which once constituted the medieval castle in Scotland.
The story is, in a way, based on a similar premise as some other Auster's novels (e. g. Brooklyn Follies): a man changes his life and it takes an unexpected turn. Here, the theme of chance is prominent: lottery, card games, surprising inheritance. But is the message really that chance drives the lives of those who let it do so? After all, Nashe makes conscious decisions till the end of the novel and although he likes to surrender his life to chance, the surrender is never complete.
The cultural references are, of course, numerous and a pleasure to think about. From music to movies (a theme recurrent in "The Book of Illusions") - Flower and Stone compared to Laurel and Hardy - and other allusions to widely understood culture, Auster's works are always a maze to get through, with lots of clues and possible associations, and a pleasure for people who have some education in so called "general culture". I always wonder how much of Auster's original ideas hidden in his novel I manage to catch, how many I miss, and how many are only figments of my imagination. For example, is it only me, or can there be a reference to "Waiting for Godot"? Pozzi's name, road, the two against two, like Pozzo and Lucky (and here the appearance of luck over and over again) versus Vladimir and Estragon, last, but not least, the absurdity of the whole situation with the wall? Well, I guess I will never know, but it was interesting for me to see (or perhaps: imagine) this correlation.
I was not sure what to make out of the very end, which is rather abrupt and seems rushed - this is the only reason why I don't give this novel five stars, but four and a half would be appropriate.
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